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From then he worked independently, with his sons George and John Oldrid Scott as assistants.
Working almost exclusively in the Gothic style, he became one of the most succesful architects of his generation, but his unshakeable belief in the supremacy of Gothic over the Classical and Renaissance styles for public and collegiate buildings, together with his often conjectural 'restorations' of medieval churches, often resulted in controversy.
The 'Battle of the Styles' which raged between him and Lord Palmerston's government, after their rejection of his designs for the Foreign Office () in preference for an Italian Renaissance alternative, dashed his hopes of gaining official recognition for Gothic as the state architectural style.
The battle was almost refought in Glasgow in the s, when he was appointed to design Glasgow University ()